“If you find that the reader of popular romance— however uneducated a reader, however bad the romances—goes back to his old favourites again and again, then you have pretty good evidence that they are to him a sort of poetry.” C.S. Lewis
Sometimes the idea of beginning a new, untested piece of
fiction, with its unpredictable emotional impact, can be off-putting. It can
feel like too much of an investment. Too much of a gamble. At times like those,
I turn to the top left-hand corner of my bookshelf. That is where I store a
trusty collection of paperback mysteries. They provide soothing bedtime reading
and pleasant entertainment for a rainy Saturday. Almost all of them were
written by my five favorite mystery authors. I cannot promise that they are the
best mysteries in the world, but they are excellent companions. You should read
them.
One: Dorothy Sayers
Soothing or not, she really does qualify among the best
detective fiction writers of all time. She was an academic, a feminist of
sorts, an author, and later a convert to Christianity who rubbed shoulders with
the more famous religious writers of her generation (such as C.S. Lewis). Her
Lord Peter Wimsey novels were written between 1923 and 1937. Lord Peter also
appears in a generous collection of short stories (you can read some of them free online).
Lord Peter is a foolish-looking member of the British
aristocracy who solves mysteries, collects antique manuscripts, and occasionally
suffers from a relapse of his World War I shell-shock. As he ages, the style of
the books changes dramatically. The first few are rather simple “puzzle
mysteries.” Our sleuth is an interesting protagonist, but experiences little
psychological development (indeed, he is almost like a better-educated and
more intelligent version of Bertie Wooster). However, Lord Peter attends a
murder trial in Strong Poison, and
sees Harriet Vane in the dock on trial for murder. He decides that he must
marry her. From then on, the books increase hugely in complexity. The last few
deal with the intense conflict between freedom, intellectual achievement, and
love. Murder Must Advertise is probably
my absolute favorite.
Just for fun, a quotation from Dorothy Sayers about how
she made Lord Peter wealthy:
After all it cost me nothing and at the time I was particularly hard up and it gave me pleasure to spend his fortune for him. When I was dissatisfied with my single unfurnished room I took a luxurious flat for him in Piccadilly. When my cheap rug got a hole in it, I ordered him an Aubusson carpet. When I had no money to pay my bus fare I presented him with a Daimler double-six, upholstered in a style of sober magnificence, and when I felt dull I let him drive it. I can heartily recommend this inexpensive way of furnishing to all who are discontented with their incomes. It relieves the mind and does no harm to anybody.
Two: Rex Stout
Rex Stout’s Nero Wolfe mystery series (written between
1934 and 1975) is fantastic. P.G. Wodehouse loved rereading them. Need I say
more? The novels are all written as stand-alone stories in which the characters
never age or substantially change. Almost all of them occur in New York. Although
they can be read in any order, I didn’t care for the last few—the atmosphere
of the 1970s just doesn’t suit the characters as well as does the immediately
post-World War II ethos.
The adventures are narrated by Archie Goodwin, a cocky young
man who serves as assistant to the enormously obese and brilliant Nero Wolfe. Because
Nero Wolfe rarely leaves his brownstone dwelling, it is of course imperative
that he have an assistant to do the actual footwork when solving a crime. Archie
likes admiring pretty girls, drinking milk, and using his muscles against men
who attempt to thwart his detective work. He writes with a hilarious style. Wolfe
and Archie are excellent foils for each other and engage in so much witty
banter that it’s a wonder the books don’t explode. My favorite is Some Buried Caesar, and Fer-de-Lance is also very good.
Three: Dick Francis
Dick Francis served as a World War II RAF pilot, a jockey
to the Queen Mother, and a prolific writer who authored more than 40
international bestsellers. Ironically, he was offered a ghostwriter for his
first book (and turned the offer down). His mysteries don’t pretend to be
literature, but they do show the mark of both a good writer and a perceptive observer
of human nature. Many are set in the dangerous world of steeplechase horse
racing. Although modern, Francis’ books are generally clean and his heroes
always upright. Written between the 1960’s and Francis’ death in 2010, the
mysteries do contain some reflection of Britain’s social changes and become more
explicit about the characters’ sexual encounters (which remain tastefully off-camera). His protagonists are very British. They keep a stiff upper-lip,
endure physical injury if necessary, and are better listeners than talkers.
They also cannot stop themselves from stubbornly pursuing the truth when faced
with corruption or crime.
My favorite is probably For Kicks, in which an Australian horse-breeder goes undercover as
a stable lad to discover how a rogue group is managing to “fix” races. Once on the
job, he discovers that the previous investigator was murdered. In addition he must deal with the impact of pretending to be someone that he is not. I
also recommend 10 LB Penalty, the
story of a young man who attempts to protect his politician father from a long series of
attacks. This one is not only clean enough for younger readers, but also demonstrates
significant maturation of the character as he forges an adult relationship with
his father.
Four: Ellis Peters (limited)
Ellis Peters (the pen name of Edith Pargeter) is one of
the weaker links on this list. Her books are sometimes so predictable that I can
actually announce the name of the murderer before anyone has been killed.
However, I’m rather good at that kind of predicting.
The quality of her
Cadfael series is uneven. Brother Cadfael is a former crusader, an herbalist, and
a Benedictine monk who solves murder mysteries during the tumultuous twelfth-century
conflict over England’s crown. Cadfael himself is a likable character, and his setting
is fascinating. I recommend One Corpse
Too Many (the best of the series, and one of the first). It's the one that I consider well-worth owning. EDIT: My husband would also like to recommend Ellis Peters' A Nice Derangement of Epitaphs, which has a modern setting and a pleasingly clever plot.
Five: Alistair MacLean
MacLean fought during World War II in the Royal Navy.
Afterwards, he put in a stint as a school teacher before becoming a writer. His
stories are thrillers. Adventures. Nothing profound or deep about them. However,
he usually writes with beautiful sentence structure. Why can’t the
thriller-writers of today spice up their silliness with attractive grammar? I might like Stephen King better if he wrote with MacLean's sentence structure. I
did most of my MacLean reading in high school and therefore cannot fully vouch
for it today. Don't bother with Ice Station Zebra-- that one is actually boring, despite the interesting and constant use of the phrase "ice spicules." However, I recently reread Partisans, and it is hilarious.
Here is the Wikipedia plot summary:
During World War II, Pete Petersen, a Yugoslavian agent with an unlikely name, and his team of compatriots cross war-torn Yugoslavia to deliver a secret message and unmask a double agent. It is not clear who Petersen is actually working for, as the plot meanders through the confusion of Yugoslavia's three-way civil war, with Communist Partisans, the Serb royalist Chetniks and the Croatian fascist Ustashe fighting as much against each other as against their Italian and German occupiers. Everyone's loyalties are uncertain. Obviously, the sardonic Petersen is not working for the Nazis, but what about those with him?
I’m not sure that the book is supposed to be funny, but it is. It fits every stereotype of the
vintage, World War II adventure—strong, silent protagonists who can hit a
moving Nazi at 1,000 feet while using their free hand to pouring whisky over the
wounds from their recent beating; beautiful but not entirely clever girls, and
lots of bad guys. Also lots of ice and snow. It’s a good book.
***
I will certainly look into some of these that I haven't read :)
ReplyDeleteYou'll have to let me know what you think of them.
DeleteI'm not much of a mystery reader but maybe I should tr some of these. My nine year old LOVES mystery books! I liked the C.S. Lewis quote - so true!
ReplyDeleteI like that quote, too!
DeleteI LOVE Sayers. My favorite is The Nine Tailors: "Thank God! Where there's a church there's civilization." It was my first Sayers, and that line coming so early in the book set the tone for all her work for me. TNT is followed closely by Busman's Honeymoon: "I have married England." Love Lord Peter and Harriet so much.
ReplyDeleteI've seen Dick Francis' name around. I'll have to be sure and read him.
A great quote. I'll have to find The Nine Tailors again-- that's the one Sayers I haven't read for years.
DeleteI'm working my way towards reading Sayers. Right now I'm on an Agatha Christie kick. Sherlock Holmes of course is mystery fiction I reread often. I've read all of Peters' Cadfael books but haven't really reread them. In the past year I think I reread "The Leper of St. Giles."
ReplyDeleteAll in all, I read a lot of mystery but I'm not sure how much of it I consistently reread. Of course, it is about time I reread Encyclopedia Brown. ;)