Twilight’s Edward Cullen has a problem, and it’s not his sparkly skin. His problem is a complete absence of poetic tension.
Vampires of old legends or of contemporary novels
like Elizabeth Kostova’s The Historian are caught in a very different situation. They possess immortality, yes. But it
extracts so heavy a price that it makes their deathlessness a curse instead of
a coolness factor: in order to continue their existence, they must live off the
deaths of others. Ultimately, the people they once were are no longer alive
because they have forfeited their souls. These vampires are difficult to forget.
Vampirism brings him immortality. It is also delivers
eternal, youthful beauty; effortless wealth; fast cars; and tremendous physical
strength. What's not to like? Even though Edward claims that being a vampire is a hard and lonely
route, the reader is not made to feel this suffering. Even though he speaks of missing
out on the normal milestones of humanity, he is ultimately able to marry and to
father an equally beautiful child. Edward gets to have it all for free, and that
is why he is forgettable.
Vampires of old legends or of contemporary novels
like Elizabeth Kostova’s The Historian are caught in a very different situation. They possess immortality, yes. But it
extracts so heavy a price that it makes their deathlessness a curse instead of
a coolness factor: in order to continue their existence, they must live off the
deaths of others. Ultimately, the people they once were are no longer alive
because they have forfeited their souls. These vampires are difficult to forget.
Even apart from vampires, enduring literature is always filled
with tragic tension. Achilles must choose between a long and comfortable life
that will end in obscurity, or an early and glorious death that brings the
immortality of fame. Guinevere and Lancelot cannot embrace their passion without
destroying their kingdom (and themselves). In Les Miserables Jean Valjean cannot retain his integrity without sacrificing the success that his integrity made possible. Even the
characters in Lord of the Rings pay
for their choices: Frodo is never again able to belong to the Shire that he
helped to save. Arwen must walk alone in the empty woods of Lothlorien after her
beloved Aragorn dies. There is a reason that we humans write this kind of story
over and over again, and it is not merely a crude realization that no lunch in
life is free.


